
However, in making a cross that incorporated contemporary elements and references, I was keen to use the word 'new' in the title of the work. 'Ragged' describes edge and surface qualities within the work, but could be ironic when following 'new'; after all, if something is new, we don't expect it to be ragged. 'New' and 'ragged' in combination, suggest deliberate intentions within the work, one to do with the physical surface, the other to do with its contemporary meaning.
'new ragged cross' is also a convenient twist on the hymn title, and could link hymn and artwork together across time.
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